Thanks for exploring the synthesis time machine that is the Behringer Poly D with us! If you enjoyed this video be sure to like, comment, and subscribe!
The most musical keyboard demonstrator. Daniel just gets so much out of any synth he touches. his wavestate demo blew my mind. no talk just tasteful sound design on the fly, plus you know he has a lot of experience . i bought one after this demo. Yeah the wavestate and now this
I don’t see how anyone can deny the awesome sound of this synth!! It’s not a clone, forget the clones. All by itself on its own merits it an awesome synthesizer! Behringer did a great job here.
It’s not a clone. It has the same analog circuitry. Another thing people don’t realize is how much better this sounds in person compared to a video. It’s huge. I don’t get the same sounds from software synths.
@@ChrisP3000x It is evidently inspired by the Moog but goes far beyond it. It is Poly, has a sequencer, etc. The mono D is a clone. This is another thing. Your feelings don't change that.
I've probably watched more videos on the Poly D than any other synth and spent more time debating whether or not to hit the "buy" button. This may be the video that finally pushes me over the edge because the emphasis is on PLAYING! The range of sounds are fantastic and the simplicity of the layout really speaks to me. The Mini Moog is an icon, and this is the closest that my wallet will get me to one. And Behringer, to its credit does add some features not found in the the original.
I’ve been waiting over a year for Daniel Fisher to showcase the Poly D. I bought it as soon as it came out and it never disappoints, but in the hands of a true master of synthesis; it’s as if every part of endless space and time has sequestered itself into one machine.
Daniel is the best at these, I watch them just to hear him play! That was the best cover of "In the light" I've hard to date! I love how he shows you what's totally cool about the synth. Keep it up, you're the best!
It doesn’t matter about being good enough in my opinion, I’m a pianist and I’m getting into synths and the Moog One is like over $10k and I’d never drop that much money on an instrument. This is better for me too tho
Never tell yourself that you're not good enough for a quality instrument. It's far better to learn on something that you will enjoy and not have issues with. I play guitar and bass, and back in the day, the prevailing philosophy was that beginners should start on the worst guitar possible. Ever since then, people have been worrying if they're WORTHY of having an expensive guitar, according to their skill level. The only two questions you should ask yourself are: "Will I use it?" and: "Can I afford it?". Having said all that; I'm a rank mediocre keyboardist, but I don't think I'd ever drop $3-$5K on a vintage Minimoog even if I had Rick Wakeman skills. Vintage synths are delicate and require constant maintenance. An old Minimoog is a museum piece, and not something I'd want to use, or fuss with all the time. I certainly wouldn't want to gig with it. And let's be honest... No offense to Bob Moog, he was a genius and a visionary for his time, but the Poly D has way more functionality and versatility than a Minimoog, without sacrificing one whit of that classic Minimoog sound. That's why I have a Poly D arriving next Monday. 😃
Hope your enjoying it! Just ordered mine as a local place had it for sale, been loving it. Now to dive into the delay and reverb pedal rabbit hole to get the most from this beast.
@@gigiman8324 you will probably always understand synths better than me. My nephew got into them when he was your age. Now he’s 25. I was young back when menu dives were the only way. Real synths we’re relics. I had two ARPs once but they got stolen before I could figure out how they worked. I’m going to buy this one and I’m going to force myself to learn every aspect of it. I’d like to be able to think of a sound and turn a few knobs and get it. Anyway, I didn’t even know subtractive and additive were a thing till yesterday. I’ve got a long way to go.
Bought one of these a few months ago and got some great sounds out of it but never knew what it could REALLY DO until I stumbled upon this video. Dan knows how to make this thing sing and scream. Thank you.
Convinced that anyone who would down-vote a Daniel Fisher synth video simply don't like themselves. If mastering synths were compared to Karate, Daniel Fisher is the Master of synth knowledge. I'm talking Kyoshi / Hanshi - 10th Dan level. Change my mind.
wow felt like watching a live set in parts, you really know your way round synths Daniel. Sold my poly D on its way finally. Thanks sweetwater you should get royalties lol.
One of the best synth videos I’ve seen. At first I thought, that sounds a bit like Zeppelin, and by golly, it was😊 Behringer really have made an excellent machine here. Great video Daniel.
I was thinking about to sell my Poly D for some new synth. But this video made me change my mind as there are so many inspirations what the Poly D can offer. Thank you 👍
Starting with Zeppelin cool. Two many knobs to move would be challenging. Having to remember the starting point, not to mention the steps you have to take when you do create something special. Also, being able to remember the steps. Fun stuff I'll admit. God bless all.
I picked up one of these last xmas. It's awesome. All the classic sounds come falling out of it. The build is pretty good except for the play in some of the plastic rotary knobs. The chorus is weapon grade.
I imagine the definition in the dictionary for the “POLY D” is listed as the following = “The whole is greater than the sum of the parts.” Some pieces of gear just have an emergent type of personality to them that’s just so exciting! And no matter when/where, or for how long we’ve been making music - these are the pieces that get our full refreshing attention! It’s the pieces we call “favorite” and remind us of why we all began (and continue) to make music.
For the most part a very musical demo, which is hard to find when it comes to analog/modular/semimodular synths. Quite impressive. Thinking of getting one of those or maybe wait to see oif Behringer will come up with their version of the Polymoog.
This would sound mean thru my metro 24 size pedalboard, sequencing with external ring mod, synth, pitch, and looper would get me lots of different options
Wow that first patch you created it's amazing, and you got a great sound with barely any adjustments. Totally awesome, blown away. Behringer is getting better and better! This is totally one of their best. Does this midi sync OK please? Thank you!
The key to the first patch was that I had one of the Output jacks connected to the Aux In jack to create a mild feedback loop. Thanks for watching! -_Daniel_
I was in the same boat as you. This was my first analog, in deciding between the two, I chose the Poly D first. I still want the MonoPoly, but I’m happy the Poly D was what I got first.
Hi Ray. In every case, I started with a factory preset and just kept tweaking in real time. All of my synth ideas can be found in my 40-episodes of SYNTH CLIPS: ruclips.net/p/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf -_Daniel_
Is there a way to control either the hold/rest button or delay knob using CV in? Or perhaps an expression pedal that opens and closes the gate? In place of damper capability. Thanks
Amazing demo! Question for you: When you’re playing Zeppelins “In The Light” how does the low A note hold out while you’re doing the lead/melody lines? Thank you in advance!
@@sweetwaterThank you! One more question actually. At about 19:00 in you let go of the keys and they still sustain out. I see that the hold button is on. I was at first under the impression that the hold buttons was only for the Arp. Does it work just with playing the synth regularly, or am I misunderstanding something? Thanks again!
I’m saving up for my first analog synth. Behringers mono poly and poly d both caught my eye, but the moog grandmother is only a little bit more, is it worth the extra cash?
I’m new to the synth world….Does anyone know if this synth can work with a sustain pedal? I looked at the back and didn’t see a place for it. Are all synths like this?
Is there a way to control damper/ sustain with a pedal? My poly D won’t respond to CC64 or when damper/sustain is being engaged on a midi controller that has a damper/sustain jack. My other synths don’t have this issue.
Hi Andy. The Poly D doesn't respond to MIDI CC#64, so it doesn't matter which way you send CC# 64. It won't work. You could, if you wanted to be clever, rig up a footswitch and a 9v battery to go to the V-Trig (Voltage Trigger) input jack. -_Daniel_
@@sweetwater Thanks so much for this recommendation! I'm sorta flailing here trying to figure this out. Would I input this into the Ext V trigger input because the regular V-Trig jack only outputs right? Do you have any recommended products that are setup to allow a footswtich to send CV to this jack?
OK SO I FIGURED THIS OUT. I bought a DOD FX-17 (using w/ power supply, not battery for CV function) and am sending 5v CV into the Poly D’s Ext. V Trig with a TRS cable. You can open and close the gate with this essentially acting as a sustain/hold pedal.
I wish Moog and Behringer could become friends and combine this with the Matriarch. They have some overlapping features, and lots of complementary functions that would go well in one instrument. Imagine these sweet sounding oscillators going into that Moog stereo delay!
How does the Poly D sound next to Moog Music's own software synths for iOS like the Model D or Modular 15? Both were offered free last weekend to celebrate Bob Moog's birthday, but normally just $15 or $30. And how about the Poly D vs Arturia's Mini or the MiniMonster VST? Does the Poly D reproduce the Moog sound better than these, equally as well, or is it's attraction mainly just the "hands on" physical controls? One Behringer D owner told me Moog's iOS Model D sounded more authentic. I bought it for $5 when introduced I think in the same week as the Behringer D.
So I can’t speak for the app but I have Arturia’s and I haven’t used theirs since getting this. This made me realize how thin and boring ALL of the V collection is when played next to their originals.
Sound wise, you are going to have more flexibility with the software synths you mentioned. The experience of using each of these instruments is really where the difference is. It's really up to what you prefer. Do you want the analog/physical experience? Or do you prefer the software interaction experience? There is no right or wrong answer - just what you prefer. Sound wise, software will always "do more".
@@prospectnyc I was wondering more purely as for the difference in how they sound. But it seems clear from several videos, Moog's own App of their MiniMoog seems to stand up pretty well against the Behringer purely in terms of how it sounds. Some owners of both have even said the App sounds more authentic. As for the user experience, having the hardware layout all labeled like that would be the preferred method. That said, I could easily assign CC controls to the 9 sliders & 10 knobs of my MIDI controller, plus additional CC controls I could assign like buttons and even the drum triggers could be assigned. On a per song basis, I'd never need more real-time controls than that. But if you want to create your own sounds from scratch, it would be more complicated to remember what was assigned for so many different parameters unless your gonna label them or something. I was curious of Daniel's opinion on this since he has worked extensively with various Moog hardware synths. Behringer would have to add the ability to save user presets for me to even consider a synth from them.
@@Supremeteamcaptain The Arturia are decent, but Moog's own software is obviously going to be more faithful. My only complaint with the Arturia is stepping on filters. Oddly, I've heard some stepping even in Behringer hardware.
@@n8goulet Yes. Software now a-days will always beat hardware on the basis of sound. Assigning CC's among software and controllers is boring and uninspiring. That doesn't work for me because it doesn't "stick" well. Open up other instruments, reboot, load a new session - CC assignments don't always stick. But yeah, sound-wise software, imo, is going to sound far better than this.
Thanks for exploring the synthesis time machine that is the Behringer Poly D with us! If you enjoyed this video be sure to like, comment, and subscribe!
Great demo!
Congratulations. You sold me the synth. Amazing demo. Truly amazing.
One of the best things about Daniel Fisher reviews is the fact he´s a great keyboardist!
He plays keys in a local Pink Floyd Tribute Band, seen them 4 times. He is truly incredible.
This ain't a demo; this is a legit set! Amazing stuff!
Somewhere, someone has just made an 18 minute cyberpunk movie with this as the soundtrack....
The most musical keyboard demonstrator. Daniel just gets so much out of any synth he touches. his wavestate demo blew my mind. no talk just tasteful sound design on the fly, plus you know he has a lot of experience . i bought one after this demo. Yeah the wavestate and now this
I don’t see how anyone can deny the awesome sound of this synth!! It’s not a clone, forget the clones. All by itself on its own merits it an awesome synthesizer! Behringer did a great job here.
A clone is a clone. Your feelings don't change that.
It’s not a clone. It has the same analog circuitry. Another thing people don’t realize is how much better this sounds in person compared to a video. It’s huge. I don’t get the same sounds from software synths.
@@ChrisP3000x It is evidently inspired by the Moog but goes far beyond it. It is Poly, has a sequencer, etc. The mono D is a clone. This is another thing. Your feelings don't change that.
@@Asmuk No, they added features on top of the Model D clone also. Both are CLONES that they added features to. Your feelings don't change that.
I'm a 70 year old guitarist but I would give my eye teeth for one of these..sadly it's too late for the teeth so a credit card will have to do!
Wow! Sold. Another great video by Daniel Fisher. Your synth videos can’t be beat!
I've probably watched more videos on the Poly D than any other synth and spent more time debating whether or not to hit the "buy" button. This may be the video that finally pushes me over the edge because the emphasis is on PLAYING! The range of sounds are fantastic and the simplicity of the layout really speaks to me. The Mini Moog is an icon, and this is the closest that my wallet will get me to one. And Behringer, to its credit does add some features not found in the the original.
I’ve been waiting over a year for Daniel Fisher to showcase the Poly D. I bought it as soon as it came out and it never disappoints, but in the hands of a true master of synthesis; it’s as if every part of endless space and time has sequestered itself into one machine.
Never heard someone smash Zep's In The Light before. Great job Danny for the full-on Synth Safari through those amazing soundscapes
A John Paul Jones masterpiece.
Daniel is the best at these, I watch them just to hear him play! That was the best cover of "In the light" I've hard to date! I love how he shows you what's totally cool about the synth. Keep it up, you're the best!
Got this synth a couple months ago. It’s so amazing. Cant recommend enough.
Awesome!
For what it does and it’s price, it’s one of the best synths of the decade
one of the best synths of human history I would say
@@HotStrange make a list here
@@anthonyman8008 a list of what? Lol
@@HotStrange of the better ones
@@HotStrange it sounds amazing for a great price, why not?.
Man, that first sequence might be one of the best I’ve ever seen in a synth demo. I don’t even need one of these but I want one now.
I absolutely adore the Moog sound, but I'm not a good enough musician to drop the money on a real one. This really seems like a viable option to me.
It doesn’t matter about being good enough in my opinion, I’m a pianist and I’m getting into synths and the Moog One is like over $10k and I’d never drop that much money on an instrument. This is better for me too tho
Moog has a few apps simulating their synths. You can experiment there on the super cheap and then decide your next step.
Never tell yourself that you're not good enough for a quality instrument. It's far better to learn on something that you will enjoy and not have issues with. I play guitar and bass, and back in the day, the prevailing philosophy was that beginners should start on the worst guitar possible. Ever since then, people have been worrying if they're WORTHY of having an expensive guitar, according to their skill level. The only two questions you should ask yourself are: "Will I use it?" and: "Can I afford it?".
Having said all that; I'm a rank mediocre keyboardist, but I don't think I'd ever drop $3-$5K on a vintage Minimoog even if I had Rick Wakeman skills. Vintage synths are delicate and require constant maintenance. An old Minimoog is a museum piece, and not something I'd want to use, or fuss with all the time. I certainly wouldn't want to gig with it. And let's be honest... No offense to Bob Moog, he was a genius and a visionary for his time, but the Poly D has way more functionality and versatility than a Minimoog, without sacrificing one whit of that classic Minimoog sound.
That's why I have a Poly D arriving next Monday. 😃
@@Luthiart How are you liking it? Thinking about getting one myself. Happy New Year....
i’ve been eyeballing this for about a year now and i’m finally getting it this week!
Hope your enjoying it! Just ordered mine as a local place had it for sale, been loving it. Now to dive into the delay and reverb pedal rabbit hole to get the most from this beast.
this is going to be one hell of an impulse buy
i just baught it, absolutely worth the price, im a 15yo teenager, and spent all of my money on that thing
@@gigiman8324 you’re gonna have a lot of fun with it. Mine will be here tomorrow.
Credit cards are meant to be used !
No way dude. You deserve it. It’s got a flip up top!!! You have to buy it. You have no choice.
@@gigiman8324 you will probably always understand synths better than me. My nephew got into them when he was your age. Now he’s 25. I was young back when menu dives were the only way. Real synths we’re relics. I had two ARPs once but they got stolen before I could figure out how they worked. I’m going to buy this one and I’m going to force myself to learn every aspect of it. I’d like to be able to think of a sound and turn a few knobs and get it. Anyway, I didn’t even know subtractive and additive were a thing till yesterday. I’ve got a long way to go.
Best demo I have ever seen of the poly D.
Bought one of these a few months ago and got some great sounds out of it but never knew what it could REALLY DO until I stumbled upon this video. Dan knows how to make this thing sing and scream. Thank you.
Behringer, Sweetwater, Daniel Fisher. Wow! Impresive and beautiful. Thank you. 🙏🏻
Love the patch starting around 18:30 and also the classic seq sounds at 23:50 or so!
Never heard something like this out of a Poly D. Insane sequence 👍🏻
Holy shit, when he started playing in the light I fell over. 100/10
Brilliant exposition of the synth - most comprehensive and stil succinct - great thanks 👍😊
The Master at work :)
your barber knows whats up Daniel, keep on rockin those synths, and I feel you on the square waves brother, I feel you...
W Comment
Thank you, Dan Fisher! This is a great demo of an incredibly good synthesizer!
Waiting on mine to arrive from Sweetwater 😁
Convinced that anyone who would down-vote a Daniel Fisher synth video simply don't like themselves. If mastering synths were compared to Karate, Daniel Fisher is the Master of synth knowledge. I'm talking Kyoshi / Hanshi - 10th Dan level. Change my mind.
wow felt like watching a live set in parts, you really know your way round synths Daniel. Sold my poly D on its way finally. Thanks sweetwater you should get royalties lol.
Daniels demo's are the best!!!
Awesome performance!
Always amazing to see Daniel's demos. This is by far the best I've heard of the Poly D so far. Great stuff!
This is all you need to create a psychedelic electronic album. Great job showcasing this monster.
One of the best synth videos I’ve seen. At first I thought, that sounds a bit like Zeppelin, and by golly, it was😊
Behringer really have made an excellent machine here.
Great video Daniel.
'Playing the synth' in the truest sense.
Great work. The best demo on youtube.
You made this thing sing. Excellent demo!
I was thinking about to sell my Poly D for some new synth. But this video made me change my mind as there are so many inspirations what the Poly D can offer. Thank you 👍
It's like when you sell your guitar to your buddy because you think it's naff. Then you hear your buddy play it and you want it back! 😄
Starting with Zeppelin cool. Two many knobs to move would be challenging. Having to remember the starting point, not to mention the steps you have to take when you do create something special. Also, being able to remember the steps. Fun stuff I'll admit. God bless all.
This thing sounds so great
Very nice! It makes me think of Larry Fast/Synergy, which is always welcome.
One of the best synth demos ever. Excellent, Mr. Fisher! More please. (Around 19:00 Stranger Things territory, wow.)
Great demo as always, love it!
Thanks for making my mind up for me
This is not a demo. It is a concert.
Love your sounds Daniel, you do such great work.
Thank you for the demo, and bravo for the performance.
Big D does it again.Great demo.
I picked up one of these last xmas. It's awesome. All the classic sounds come falling out of it. The build is pretty good except for the play in some of the plastic rotary knobs.
The chorus is weapon grade.
I lost it when you started playing "In the Light"
I imagine the definition in the dictionary for the “POLY D” is listed as the following = “The whole is greater than the sum of the parts.” Some pieces of gear just have an emergent type of personality to them that’s just so exciting! And no matter when/where, or for how long we’ve been making music - these are the pieces that get our full refreshing attention! It’s the pieces we call “favorite” and remind us of why we all began (and continue) to make music.
Very cool! And no talking! Thank you.
For the most part a very musical demo, which is hard to find when it comes to analog/modular/semimodular synths. Quite impressive. Thinking of getting one of those or maybe wait to see oif Behringer will come up with their version of the Polymoog.
They should do a deepmind 16 based on the moog oscillators and filters
I like how Daniel mods the volume knob.
I wish I had half the talent of Daniel Fisher.
Near 11:30, it almost sounds like the end of the bridge section of "Frankenstein" by Edgar Winter.
I don't understand a word he is saying about this synth, but the sounds are damn good!
What a demo!!! Fntastic!!!
Great review, thanks!
This would sound mean thru my metro 24 size pedalboard, sequencing with external ring mod, synth, pitch, and looper would get me lots of different options
I could’ve watched another hour of that 😎
excellent, you will relaunch this brilliant synth by yourself !
Merci pour la démo, pour une fois qu'on a une vraie composition dans une revue de synthé ;-)
Merci! Un bon synthétiseur tirera des compositions hors de moi. Merci d'avoir regardé! -_Daniel_
Great demo Daniel , you really made the Poly D shine !!!
this is the best poly d demo i've seen, as an owner you've re-inspired me
I’ll take this over a vintage moog any day.
The aleatoric bitonal section around the 20 minute mark is consciousness expanding
I really want to see Daniel’s personal home studio. I’d be interested to see what gear he ends up actually using the most.
Wow that first patch you created it's amazing, and you got a great sound with barely any adjustments. Totally awesome, blown away. Behringer is getting better and better! This is totally one of their best. Does this midi sync OK please? Thank you!
The key to the first patch was that I had one of the Output jacks connected to the Aux In jack to create a mild feedback loop. Thanks for watching! -_Daniel_
I can only imagine the kind of stuff DEVO would have made if they’d gotten ahold of a this thing back in the 70’s
Daniel, any chance you'll ever do a synthesis class for those of us who love these synths but are lacking programming knowledge?
Hi Damion. The chance is 100%
My SYNTH CLIPS video tutorials are free and in bite-sized pieces:
ruclips.net/p/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf
@@sweetwater Awesome Daniel. Thank you!!
A total Beast!
Very awesome indeed
Excellent!!!!! Thanks!
Hey Danny - love your demos. I think the Poly D is great but I'm torn between that and the MonoPoly. Any thoughts?
Poly D is the real one. Very Simple and the Grandparent of all Synths.
@@DaEVOthefreak Thanks, Danny, much appreciated.
I was in the same boat as you. This was my first analog, in deciding between the two, I chose the Poly D first. I still want the MonoPoly, but I’m happy the Poly D was what I got first.
@@Supremeteamcaptain Awesome! I think it's a great synth! Now just have to practice twiddling the dials like Danny! :-)
Nice affordable clone. Wish they would have given it the correct number of keys to be a proper mini clone but 37 is not too bad.
Sold at 7:40 😊
Yip, me too, i thought omg... bagpipes 🇬🇧... wonderful ❤
Awe... miss playing with machines like this I could never afford at the guitar center.
This is very affordable, the monophonic MOOG original is 3500 Euros, this is 685.
@@VictorSteiner Still out of my budget range but something I can work towards! Thanks
@@VictorSteiner : can be found under 600€...
Scottish in the light wow! Master JettI
Art!
Is there a patch guide to all these amazing ideas like there is for Daniel Fisher's Sub 37bvideo? I need these!!!
Hi Ray. In every case, I started with a factory preset and just kept tweaking in real time. All of my synth ideas can be found in my 40-episodes of SYNTH CLIPS:
ruclips.net/p/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf
-_Daniel_
Is there a way to control either the hold/rest button or delay knob using CV in? Or perhaps an expression pedal that opens and closes the gate? In place of damper capability. Thanks
Amazing demo! Question for you: When you’re playing Zeppelins “In The Light” how does the low A note hold out while you’re doing the lead/melody lines?
Thank you in advance!
Hi SamLibman. OSC 4 can be disconnected from the keyboard with a switch. I did that and then tuned it to A. Thanks for watching!
-_Daniel_
@@sweetwaterThank you! One more question actually. At about 19:00 in you let go of the keys and they still sustain out. I see that the hold button is on. I was at first under the impression that the hold buttons was only for the Arp. Does it work just with playing the synth regularly, or am I misunderstanding something? Thanks again!
Awesome!!!!
I’m saving up for my first analog synth. Behringers mono poly and poly d both caught my eye, but the moog grandmother is only a little bit more, is it worth the extra cash?
Awesomeness
does the ext input run thru the chorus & distortion + filter :o?
Hi シ The EXT IN feeds the Mixer which then goes to the Filter, Amp, and Effects. Thanks for watching! -_Daniel_
when you need sounds of something alien getting ready to explode, this is your machine
My next synth
RIP MY WALLET
Nice!
I’m new to the synth world….Does anyone know if this synth can work with a sustain pedal? I looked at the back and didn’t see a place for it. Are all synths like this?
Sweet instrument.
Is there a way to control damper/ sustain with a pedal? My poly D won’t respond to CC64 or when damper/sustain is being engaged on a midi controller that has a damper/sustain jack. My other synths don’t have this issue.
Hi Andy. The Poly D doesn't respond to MIDI CC#64, so it doesn't matter which way you send CC# 64. It won't work. You could, if you wanted to be clever, rig up a footswitch and a 9v battery to go to the V-Trig (Voltage Trigger) input jack. -_Daniel_
@@sweetwater Thanks so much for this recommendation! I'm sorta flailing here trying to figure this out. Would I input this into the Ext V trigger input because the regular V-Trig jack only outputs right? Do you have any recommended products that are setup to allow a footswtich to send CV to this jack?
OK SO I FIGURED THIS OUT. I bought a DOD FX-17 (using w/ power supply, not battery for CV function) and am sending 5v CV into the Poly D’s Ext. V Trig with a TRS cable. You can open and close the gate with this essentially acting as a sustain/hold pedal.
I wish Moog and Behringer could become friends and combine this with the Matriarch. They have some overlapping features, and lots of complementary functions that would go well in one instrument. Imagine these sweet sounding oscillators going into that Moog stereo delay!
You can get two MF-104Z or MF-104M if you want Moog stereo delay
Raffle 1 or 2 for the proletarians?
This is the cousin of the Moog 😆👍🏾
ok, time to listen the ''In the light'' by Zeppelin
so inspiring! above and beyond a demo. Beautiful and exciting music.
How does the Poly D sound next to Moog Music's own software synths for iOS like the Model D or Modular 15? Both were offered free last weekend to celebrate Bob Moog's birthday, but normally just $15 or $30. And how about the Poly D vs Arturia's Mini or the MiniMonster VST? Does the Poly D reproduce the Moog sound better than these, equally as well, or is it's attraction mainly just the "hands on" physical controls? One Behringer D owner told me Moog's iOS Model D sounded more authentic. I bought it for $5 when introduced I think in the same week as the Behringer D.
So I can’t speak for the app but I have Arturia’s and I haven’t used theirs since getting this. This made me realize how thin and boring ALL of the V collection is when played next to their originals.
Sound wise, you are going to have more flexibility with the software synths you mentioned. The experience of using each of these instruments is really where the difference is. It's really up to what you prefer. Do you want the analog/physical experience? Or do you prefer the software interaction experience? There is no right or wrong answer - just what you prefer. Sound wise, software will always "do more".
@@prospectnyc I was wondering more purely as for the difference in how they sound. But it seems clear from several videos, Moog's own App of their MiniMoog seems to stand up pretty well against the Behringer purely in terms of how it sounds. Some owners of both have even said the App sounds more authentic.
As for the user experience, having the hardware layout all labeled like that would be the preferred method. That said, I could easily assign CC controls to the 9 sliders & 10 knobs of my MIDI controller, plus additional CC controls I could assign like buttons and even the drum triggers could be assigned. On a per song basis, I'd never need more real-time controls than that. But if you want to create your own sounds from scratch, it would be more complicated to remember what was assigned for so many different parameters unless your gonna label them or something. I was curious of Daniel's opinion on this since he has worked extensively with various Moog hardware synths.
Behringer would have to add the ability to save user presets for me to even consider a synth from them.
@@Supremeteamcaptain The Arturia are decent, but Moog's own software is obviously going to be more faithful. My only complaint with the Arturia is stepping on filters. Oddly, I've heard some stepping even in Behringer hardware.
@@n8goulet Yes. Software now a-days will always beat hardware on the basis of sound. Assigning CC's among software and controllers is boring and uninspiring. That doesn't work for me because it doesn't "stick" well. Open up other instruments, reboot, load a new session - CC assignments don't always stick. But yeah, sound-wise software, imo, is going to sound far better than this.